Alfred Stieglitz at Lake George
Editorial Reviews Book Description For more than a decade before World War I, Alfred Stieglitz lent much of his formidable energy to his public career as an editor, publisher, proselytizer, and art dealer. In the 1920s and 30s, he turned again to his own photography, exploring his personal world at Lake George, in the Adirondack mountains of New York, where he spent summers at a family farmhouse. He photographed the things around him--the landscape, the clouds overhead, the intimate life he led with family and friends, including Georgia O'Keefe, Waldo Frank, and Paul Rosenfeld. This body of work, radical and private, is the essential aspect of Stieglitz's achievement as a photographer, and has nowhere else been published as a coherent whole.
Essay by John Szarkowski. About the Author Perhaps no other person has done as much to legitimize the art of photography as did Alfred Stieglitz. Born in 1864 in Hoboken, New Jersey, Stieglitz studied mechanical engineering in Berlin but was always drawn to taking pictures. He won the first of his 150 photography prizes at age 24 in a British competition judged by P.H. Emerson. Returning to New York in 1889, Stieglitz began writing on photography and exhibiting his own work, the most celebrated of which include The Terminal (1893) and The Steerage (1907). In 1902, Stieglitz founded the Photo-Secession group and opened his first gallery, 291, where he exhibited American photographers of the Pictorialist movement, and painters and sculptors including Matisse, Braque, Rodin, and Georgia O'Keeffe, whom he married in 1924. That same year he began publishing the quarterly Camera Work. Stieglitz ran two other art spaces, the Intimate Gallery and An American Place, and continued to photograph until his death in 1946, leaving behind hundreds of studies of O'Keeffe, photographs of Lake George, and New York City views.
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