Holbein
Editorial Reviews Book Description Holbein's work exhibits both the highest standards of craftsmanship achieved during the northern Renaissance of the early sixteenth century and an uncommon ability to translate his perception of his sitters into paintings and drawings. His two visits to England produced a series of masterpieces of the portrait painter's art. His second English period lasted from 1532 to his death in 1543, and during that time />Holbein emerged not only as one of the great European portraitists but also as the chief image-maker of the court of Henry VIII. Indeed our entire visual concept of the Tudor monarch and those around him is firmly rooted in what Holbein saw and recorded. About the Author Jane Roberts studied History and the History of Art for a B.A. [Hons] degree at London University and took a Master's degree at the Courtauld Institute in Italian Renaissance Art, concentrating on the Venetian Renaissance. Thereafter she worked in London for a year during which time she wrote the catalogue for Colnaghi's exhibition of French Drawings - Post-Neoclassical. In January 1975 she became Curator of the Print Room at the Royal Library, Windsor Castle, where she produced the catalogue of the exhibition Leonardo da Vinci: Anatomincal Drawings, shown at the Royal Academy 1977-78. She was the co-author of the catalogue ‘Holbein and the Court of King Henry VIII' for the exhibition at the Queens Gallery, 1978-79.
Holbein,Jane Roberts,Chaucer Press,1904449328,Art,Art & Art Instruction,Europe - Great Britain - General,Great Britain - History - Tudor And Stuart (1485-1714),History - General,Individual Artist,Individual Painters - Renaissance
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