Disruptive Divas; Feminism, Identity and Popular Music (Studies in Contemporary Music and Culture)

Disruptive Divas; Feminism, Identity and Popular Music (Studies in Contemporary Music and Culture)

Disruptive Divas; Feminism, Identity and Popular Music (Studies in Contemporary Music and Culture)

more information about Disruptive Divas; Feminism, Identity and Popular Music (Studies in Contemporary Music and Culture)

Editorial Reviews Book Description

Disruptive Divas: Feminism, Identity and Popular Music focuses on four female musicians who have marked contemporary popular culture in unexpected ways. Tori Amos, Courtney Love, Me'Shell Ndegéocello and P. J. Harvey have impelled and disturbed the boundaries of "acceptable" female musicianship. Disruptive Divas gives close readings to individual, representative songs by each of these artists, in order to make general statements about the role of women in popular music. The artists and songs selected explore a range of textural themes and musical studies. Disruptive Divas shows how this material has disrupted the general expectations of popular music style, performance and marketing; in turn, it helps to empower women to be creative artists. About the Author Lori Burns is assistant professor of music at the University of Ottawa, Canada. She is the author of several books on music, as well as articles in scholarly collections and journals. Melisse Lafrance, a recording artist and cultural critic, has written essays and presented papers on feminism, cultural studies, and popular music in the U.S. and Canada.

Disruptive Divas; Feminism, Identity and Popular Music (Studies in Contemporary Music and Culture),Lori Burns,Garland,0815335547,1991-2000,Analysis, appreciation,Feminism & Feminist Theory,Gender Studies,Gender identity in music,General,Genres & Styles - Pop Vocal,Instruction & Study - Appreciation,Music,Popular music,Women in music,Contemporary popular music,Theory of music & musicology

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