The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Criticism
Editorial Reviews Book Description D.N. Rodowick offers a critical analysis of the development of film theory since 1968. He shows how debates concerning the literary principles of modernismsemiotics, structuralism, psychoanalysis, Marxism, and feminismhave transformed our understanding of cinematic meaning. Rodowick explores the literary paradigms established in France during the late 1960s and traces their influence on the work of diverse filmmaker/theorists including Jean-Luc Godard, Peter Gidal, Laura Mulvey, and Peter Wollen. By exploring the "new French feminisms" of Irigaray and Kristeva, he investigates the relation of political modernism to psychoanalysis and theories of sexual difference. In a new introduction written especially for this edition, Rodowick considers the continuing legacy of this theoretical tradition in relation to the emergence of cultural studies approaches to film. From the Back Cover "Gives a superb critical and polemical overview of the '70s film theory. Rodowick is particularly good at showing both the political stakes of these influential theories and their blind spots." (Constance Penley, University of California, Santa Barbara) The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Criticism
The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Criticism,David Norman Rodowick,University of California Press,0520087712,Cinema/Film: Book,Film & Video - History & Criticism,Film Theory,Film criticism,Motion pictures,Political aspects,Pop Arts / Pop Culture
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