The Irish in Us : Irishness, Performativity, and Popular Culture
Editorial Reviews
Book Description
Over the past decade or so, Irishness has emerged as an idealized ethnicity, one with which large numbers of people around the world, and particularly in the United States, choose to identify. Seeking to explain the widespread appeal of all things Irish, the contributors to this collection show that for Americans, Irishness is rapidly becoming the white ethnicity of choice, a means of claiming an ethnic identity while maintaining the benefits of whiteness. At the same time, the essayists challenge essentialized representations of Irishness, bringing attention to the complexities of Irish history and culture that are glossed over in Irish-themed weddings and shamrock tattoos.
Examining how Irishness is performed and commodified in the contemporary transnational environment, the contributors explore topics including Van Morrison’s music, Frank McCourt’s writing, the explosion of Irish-themed merchandising, the practices of heritage seekers, the movie The Crying Game, and the significance of red hair. Whether considering the implications of Garth Brooks’s claim of Irishness and his enormous popularity in Ireland, representations of Irish masculinity in the TV series Buffy the Vampire Slayer and Angel, or Americans’ recourse to a consoling Irishness amid the racial and nationalist tensions triggered by the events of September 11, the contributors delve into complex questions of ethnicity, consumerism, and globalization. Ultimately, they call for an increased awareness of the exclusionary effects of claims of Irishness and for the cultivation of flexible, inclusive ways of affiliating with Ireland and the Irish.
Contributors. Natasha Casey, Maeve Connolly, Catherine M. Eagan, Sean Griffin, Michael Malouf, Mary McGlynn, Gerardine Meaney, Diane Negra, Lauren Onkey, Maria Pramaggiore, Stephanie Rains, Amanda Third
From the Back Cover
“The essays in this collection are to Irish studies what B. B. King and the Chicago Blues are to the Delta Blues: they draw on an existing body of work, virtuosically extend it, and at the same time electrify it, creating new forms in the process. In this respect, this collection is the book that many in Irish studies have been waiting for.”-Margot Backus, author of The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order
“Diane Negra has built a dynamic cultural studies anthology from the sophisticated research of a new generation of scholars. ‘Irishness,’ still an attractive or scandalous stereotype, is here understood through reflection on nation, ethnicity, class, and gender-reflection that is in turn animated by the obtuseness of ‘Irishness’ in its newly global situation. Expressing a variety of views through vivid examples, this anthology becomes itself exemplary.”-Dudley Andrew, Yale University
“This sparkling, sophisticated, and original collection analyzes such diverse topics as the genealogical quest for Irish roots, Celtic white supremacists, and post–September 11 identity politics. Provocatively, Diane Negra suggests that ‘Irishness’ has become a way for Americans to claim a safe and fashionable ethnic identity. Essential reading for Irish and American cultural studies.”-Elizabeth Cullingford, author of Ireland’s Others: Gender and Ethnicity in Irish Literature and Popular Culture
The Irish in Us : Irishness, Performativity, and Popular Culture
The Irish in Us : Irishness, Performativity, and Popular Culture,Diane, ed. Negra,Duke University Press,0822337401,Art & Art Instruction,Art, Irish,Cross-cultural studies,Ethnic Studies - General,Film & Video - History & Criticism,General,Influence,Irish Americans in popular culture,Popular Culture - General,Social Science,Sociology,Cultural Studies,Film & Television Studies,Race and Ethnicity
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