Poussin and the Poetics of Painting : Pictorial Narrative and the Legacy of Tasso

Poussin and the Poetics of Painting : Pictorial Narrative and the Legacy of Tasso

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Poussin and the Poetics of Painting : Pictorial Narrative and the Legacy of Tasso

Editorial Reviews Book Description Torquato Tasso's poetic discourses were the most important source for Poussin's theory of painting. The poet's ideas on artistic imitation, novelty, and plot structure and unity, which are exemplified in his epic La Gerusalemme liberata, proved to be fundamental to the artist's conception of narrative painting, culminating in the Israelites Gathering Manna. Offering new interpretations of his works, this book also investigates Poussin's larger literary culture and how this context illuminates the artist's response to contemporary poetic texts, especially in his mythological paintings. About the Author Jonathan Unglaub is assistant professor of fine arts at Brandeis University. A scholar of Renaissance and Baroque art, he has contributed to The Art Bulletin and The Burlington Magazine, and has received fellowships from the Fulbright Commission, the Andrew W. Mellon Foundation (at the Metropolitan Museum of Art), the Getty Humanities Center, and the Clark Institute.

Poussin and the Poetics of Painting : Pictorial Narrative and the Legacy of Tasso,Jonathan Unglaub,Cambridge University Press,0521833671,17th century,Art,Art & Art Instruction,Art and literature,General,History - General,Narrative painting, French,Ut pictura poesis (Aesthetics),Art / General,History Of Art / Art & Design Styles

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