Sahel: The End of the Road (Series in Contemporary Photography, 3)

Sahel: The End of the Road (Series in Contemporary Photography, 3)

more information about Sahel: The End of the Road (Series in Contemporary Photography, 3)

Editorial Reviews

Book Description
In 1984 Sebastião Salgado began what would be a fifteen-month project of photographing the drought-stricken Sahel region of Africa in the countries of Chad, Ethiopia, Mali, and Sudan, where approximately one million people died from extreme malnutrition and related causes. Working with the humanitarian organization Doctors Without Borders, Salgado documented the enormous suffering and the great dignity of the refugees. This early work became a template for his future photographic projects about other afflicted people around the world. Since then, Salgado has again and again sought to give visual voice to those millions of human beings who, because of military conflict, poverty, famine, overpopulation, pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival. Beautifully produced, with thoughtful supporting narratives by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first U.S. edition brings some of Salgado's earliest and most important work to an American audience for the first time. Twenty years after the photographs were taken, Sahel: The End of the Road is still painfully relevant. Born in Brazil in 1944, Sebastião Salgado studied economics in São Paulo and Paris and worked in Brazil and England. While traveling as an economist to Africa, he began photographing the people he encountered. Working entirely in a black-and-white format, Salgado highlights the larger meaning of what is happening to his subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices. "The planet remains divided," Salgado explains. "The first world in a crisis of excess, the third world in a crisis of need." This disparity between the haves and the have-nots is the subtext of almost all of Salgado's work. Illustrations: 88 duotones

Sahel: The End of the Road (Series in Contemporary Photography, 3)

Sahel: The End of the Road (Series in Contemporary Photography, 3),Sebastiao Salgado,Orville Schell,Fred Ritchin,Eduardo Galeano,Lelia Wanick Salgado,University of California Press,0520241703,Africa - General,Collections, Catalogs, Exhibitions,Famines,General,History,History - General History,History: World,Pictorial works,Sahel

Nice Books:

  1. Salmela Architect
  2. Salons and Spas : The Architecture of Beauty
  3. Salt Dough (The Art of Crafts Series)
  4. Richmond's Monument Avenue
  5. Rick Sammon's Complete Guide to Digital Photography: 107 Lessons on Taking, Making, Editing, Storing, Printing, and Sharing Better Digital Images
  6. Rick Sammon's Digital Imaging Workshops: Step-by-Step Lessons on Editing with Adobe Photoshop Elements
  7. Riding Costume in Egypt: Origin and Appearance (Studies in Textile and Contume History, 3)
  8. Riera I Arago: Iconography
  9. Ring-bound
  10. Rings for the Finger

Nice Books

Nice Books

Recommended Books

  1. Animation: A Reference Guide
  2. Study Guide for Kleiner/Mamiya's Gardner's Art Through the Ages: Western Perspective, Volume II, 12t
  3. Women and Music in Cross-Cultural Perspective
  4. Asia's Emerging Regional Order: Reconciling Traditional and Human Security
  5. Managing a Corporate Bond Portfolio
  6. Weed Science: Principles and Practices, 4th Edition
  7. T Lymphocytes Subpopulations in Immunotoxicology
  8. Unilateral Contact Problems: Variational Methods and Existence Theorems
  9. Weekend in Paris
  10. Wheels within Wheels
  11. What's Cooking: Thai
  12. Vandas : Their Botany, History, and Culture
  13. Women's Health Under 40: What You Should Know
  14. Understanding American Government
  15. Wildlife Photographer of the Year: Portfolio Seven